Maximilian's Darkroom, Stefanie Schulte Strathaus
"Their performance begins on stage and ends in a video installation. The viewer – his head still in the box – wonders how the rest of his body, below his head, must look to those who pass him to enter the real cinema he is in front of. But he can’t change his posture without destroying the architecture of his movie theater and missing the film, to boot. But has his shirt pulled out of his trousers as he’s bent over? Or is her skirt too short? Iacob dances in the picture’s foreground."